english / pilot guides

Read the poem, then read the world around it.

A small, carefully edited English layer for Chinese classical poetry. Each guide keeps the original text in view and adds a literal gloss, a natural translation, context, imagery, and vocabulary.

Selected reading guides

Ten poems to read slowly.

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靜夜思 李白

Quiet Night Thought

A small room, a patch of moonlight, and one remembered home. Li Bai turns an ordinary night into a poem about distance and belonging.

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相思 王維

Longing

Wang Wei makes a red bean carry the weight of remembrance. The poem is brief, but its invitation to gather the beans turns a plant into a token exchanged across distance.

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山居秋暝 王維

Autumn Evening in the Mountains

After rain, a mountain becomes newly clear. Wang Wei layers moonlight, running water, voices, and movement into a scene that feels quiet without being empty.

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春曉 孟浩然

Spring Dawn

The speaker wakes into spring through sound. Birds, wind, rain, and fallen flowers make the night vivid even though the poem begins at the quiet moment of waking.

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登鸛雀樓 王之渙

Climbing the Stork Tower

A setting sun, a river running to the sea, and one more step upward. The poem makes a physical act of climbing into a lesson about widening one’s view.

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江雪 柳宗元

River Snow

The world is emptied of birds and people until only one fisherman remains. Liu Zongyuan uses extreme stillness to make solitude feel vast rather than merely private.

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楓橋夜泊 張繼

Night Mooring by Maple Bridge

A traveller cannot sleep beside a river. Moonset, crows, frost, maples, and a temple bell gather into one of classical poetry’s most recognizable night scenes.

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泊秦淮 杜牧

Mooring at Qinhuai

The Qinhuai River is beautiful at night, but the song drifting from the far bank carries a memory of political loss. Du Mu lets atmosphere and historical judgment occupy the same scene.

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將進酒 李白

Bring in the Wine

Li Bai answers the brevity of life with overflowing language, wine, music, and appetite. The poem is celebratory on the surface, but its urgency also reveals anxiety about time and recognition.

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水调歌头 · 明月几时有,把酒问青 蘇軾

Prelude to Water Melody: How Long Has the Bright Moon Been There?

On a moonlit night, Su Shi asks questions that move between heaven and earth. The poem begins with uncertainty and ends with a wish that distance cannot defeat.

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