english / close reading

Mooring at Qinhuai

The Qinhuai River is beautiful at night, but the song drifting from the far bank carries a memory of political loss. Du Mu lets atmosphere and historical judgment occupy the same scene.

杜牧 唐 泊秦淮

Original text

泊秦淮 original text

煙籠寒水月籠沙,夜泊秦淮近酒家。商女不知亡國恨,隔江猶唱後庭花。

Translation 01 / literal gloss

Stay close to the sentence.

Smoke cages the cold water; moon cages the sand.

At night I moor at Qinhuai near a tavern.

The singing girls do not know the grief of a fallen state.

Across the river they still sing the song Rear Courtyard Flowers.

Translation 02 / natural English

Let the image breathe.

Smoke veils the cold water, moonlight veils the sand.

At night I moor on Qinhuai, close to the taverns.

The singers do not know the sorrow of a fallen court;

across the river, they still sing Rear Courtyard Flowers.

Context

What to know

The poem invokes a song associated with the Chen court and its later fall. The speaker does not accuse the singers of causing history; instead, the night entertainment becomes a sharp reminder of how easily a society can forget what came before.

Imagery / themes

What to notice

The paired verbs for smoke and moonlight create a soft, enclosed atmosphere. That beauty is interrupted by the final song, whose historical memory changes the meaning of the whole river scene.

Vocabulary

Three useful phrases.

籠
to veil, enfold, or cage; the repeated verb makes the scene hazy
商女
female singers who performed in entertainment venues
後庭花
Rear Courtyard Flowers, a song linked with the last Chen ruler

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